When Pesce arrived in Tehran, he became associated with the court of
Naser al-Din Shah, a ruler fascinated by Western technology, military reform, and visual culture. The king’s interest in photography opened a unique space for foreign specialists, and Pesce quickly gained favor as an instructor, advisor, and practitioner. He taught photography to Iranian officials, demonstrated darkroom techniques, and established connections with diplomats and scholars who recognized the value of visually documenting Iran’s heritage. His position in the Qajar court allowed him access to sites, resources, and travel opportunities that were typically unavailable to outsiders.
