If one wants a practical takeaway from Rambod’s trajectory as reported so far, it is this: in the social-media era, media appearances are rarely final statements of identity. They are data points that others remix and comment on; they travel across cultural and political borders; and they may provoke both applause and condemnation that say as much about the commentators as about the person at the centre. This is especially true for people whose public image spans both conservative national broadcasters and transnational entertainment formats.